Written to celebrate the prestigious career of Professor Denys Pringle, this collection of articles produced by many of the leading archaeologists and historians in the field of crusades studies offers a compilation of pioneering scholarship on recent studies on the Latin East. The geographical breadth of topics discussed in each chapter reflects both Pringle's international collaborations and research interests, and the wide development of scholarly interest in the subject. With a concentration on the areas corresponding to the crusader states during the twelfth and thirteenth centuries, the articles also offer research into the neighbouring areas of Cyprus, Anatolia, Greece and the West, and the legacy of the crusader period there, with results from recent archaeological fieldwork in the Middle East.

A compelling examination of French sculptor Auguste Rodin from the perspective of his enthusiastic American audience This exhibition catalogue explores the American reception of French artist Auguste Rodin (1840-1917), from 1893, when his first work entered a US museum, to the present. Its trajectory reaches from the collecting frenzy of the early twentieth century-promoted by philanthropist Katherine Seney Simpson and performer Loie Fuller-to important museum acquisitions of the 1920s and 1930s. From there, it traverses the 1950s, when Rodin's reputation flagged, through to the artist's revival and recognition in the 1980s. Rodin's promoters include a dynamic cast of characters, each of whom played a crucial role in cementing his status. The book traces this story through approximately 50 sculptures and 20 drawings that cover Rodin's most iconic subjects and themes. They demonstrate his dexterity across media-his virtuosity in plaster, terracotta, bronze, and marble-as well as his expressive, colorful drawings, some of them relatively unknown, sparking new appreciation for his work and delight for readers. Distributed for the Clark Art Institute Exhibition Schedule: Clark Art Institute, Williamstown, MA (June 18-September 18, 2022) High Museum of Art, Atlanta (October 21, 2022-January 15, 2023)

Applying Jewish Ethics: Beyond the Rabbinic Tradition is a groundbreaking collection that introduces the reader to applied ethics and examines various social issues from contemporary and largely under-represented, Jewish ethical perspectives. For thousands of years, a rich and complex system of Jewish ethics has provided guidance about which values we should uphold and utilize to confront concrete problems, create a healthy social fabric, and inspire meaningful lives. Despite its longevity and richness, many Judaic and secular scholars have misconstrued this ethical tradition as a strictly religious and biblically based system that primarily applies to observant Jews, rather than viewing it as an ethical system that can provide unique and helpful insights to anyone, religious or not. This pioneering collection offers a deep, broad, and inclusive understanding of Jewish ethical ideas that challenges these misconceptions. The chapters explain and apply these ethical ideas to contemporary issues connected to racial justice, immigration, gender justice, queer identity, and economic and environmental justice in ways that illustrate their relevance for Jews and non-Jews alike.

Over half of all American Jewish children are being raised by intermarried parents. This demographic group will have a tremendous impact on American Judaism as it is lived and practiced in the coming decades. To date, however, in both academic studies about Judaism and in the popular imagination, such children and their parents remain marginal. Jennifer A. Thompson takes a different approach. In Jewish on Their Own Terms , she tells the stories of intermarried couples, the rabbis and other Jewish educators who work with them, and the conflicting public conversations about intermarriage among American Jews. Thompson notes that in the dominant Jewish cultural narrative, intermarriage symbolizes individualism and assimilation. Talking about intermarriage allows American Jews to discuss their anxieties about remaining distinctively Jewish despite their success in assimilating into American culture. In contrast, Thompson uses ethnography to describe the compelling concerns of all of these parties and places their anxieties firmly within the context of American religious culture and morality. She explains how American and traditional Jewish gender roles converge to put non-Jewish women in charge of raising Jewish children. Interfaith couples are like other Americans in often harboring contradictory notions of individual autonomy, universal religious truths, and obligations to family and history. Focusing on the lived experiences of these families, Jewish on Their Own Terms provides a complex and insightful portrait of intermarried couples and the new forms of American Judaism that they are constructing.

An engaging and beautifully illustrated overview of one of the finest Impressionist and Post-Impressionist collections in the United States Featuring 90 highlights from the Philadelphia Museum of Art's stellar collection of Impressionist and Post-Impressionist art, this handsome volume includes iconic works such as Paul Cezanne's Large Bathers, Vincent van Gogh's Sunflowers, Edgar Degas's Interior, Edouard Manet's Le Bon Bock, Toulouse-Lautrec's At the Moulin Rouge, and Pierre-Auguste Renoir's Great Bathers.Providing a rich and encompassing view of the artists and the innovative works they created, the entries consider both the experimental techniques employed in the paintings, sculptures, prints, and drawings, as well as how these objects functioned within the contexts of the art market, social history, and politics. An introductory essay examines the circumstances and individuals-including Mary Cassatt's brother, the Philadelphia railroad executive Alexander J. Cassatt-that led to the formation of one of the most distinguished Impressionist and Post-Impressionist collections in the United States.

Over half of all American Jewish children are being raised by intermarried parents. This demographic group will have a tremendous impact on American Judaism as it is lived and practiced in the coming decades. To date, however, in both academic studies about Judaism and in the popular imagination, such children and their parents remain marginal. Jennifer A. Thompson takes a different approach. In Jewish on Their Own Terms, she tells the stories of intermarried couples, the rabbis and other Jewish educators who work with them, and the conflicting public conversations about intermarriage among American Jews. Thompson notes that in the dominant Jewish cultural narrative, intermarriage symbolizes individualism and assimilation. Talking about intermarriage allows American Jews to discuss their anxieties about remaining distinctively Jewish despite their success in assimilating into American culture. In contrast, Thompson uses ethnography to describe the compelling concerns of all of these parties and places their anxieties firmly within the context of American religious culture and morality. She explains how American and traditional Jewish gender roles converge to put non-Jewish women in charge of raising Jewish children. Interfaith couples are like other Americans in often harboring contradictory notions of individual autonomy, universal religious truths, and obligations to family and history. Focusing on the lived experiences of these families, Jewish on Their Own Terms provides a complex and insightful portrait of intermarried couples and the new forms of American Judaism that they are constructing.